Summer is a great season; plenty of quality shows, new releases, sundresses, great weather and… more sundresses. Obviously if this was the Playboy website I would be talking exclusively of sundresses (on or off), but this is an EDM blog so I’ll be talking more about the latest shows and releases we’ve got to see and listen.
First of all, we went to see Gareth Emery at Telus Theater AND Circus Afterhours on July 22nd and I must say, it was great. There’s something that Gareth has that other DJs don’t and I can’t really tell what it is, but one thing I know is that he makes people go crazy (me included).
Telus Theater (Northern Lights Concert): As expected, he played a similar set to the one he played at ASOT500 last April. He obviously played the so-called “ASOT 500 Remix” of Into the Light and the KNAS Insomnia mashup on top of other great tracks. There was also a few live performance with Mark Frisch, Roxanne Emery and Lucy Saunders. Something worth mentioning: Gareth played the piano while his sister sang Too Dark Tonight and he was great. Mark Frisch was the best live performance in my opinion, but all of them were good. The only “bad” thing we’ve noticed was that Lucy Saunders cannot dance, at all. She would clap her hands and not move at all, but hey, she still sang really well. Overall, it was an incredible set and my favourite from Gareth until now. The atmosphere was great, the sound was almost perfect (not too loud and good quality) and the lighting was crazy (especially the laser). It was a little bit hot in there and the fact you can’t refill water bottles kind of sucks, but it was only from 12 to 3, so we weren’t really tired yet and could endure the lack of water.
Circus Afterhours (Regular Set): The afterparty was at Circus Afterhours and Gareth played a 2 hour set that finished around 7-7:30 (I can’t remember exactly). Since he played all of his best tracks at Telus, it wasn’t as good (in my opinion) as the concert before, but it was still above average in term of quality. It really felt like an afterhour instead of a normal set: there was less energy in the crowd and such, but I still enjoyed my time there as well. We caught Blake Jarell’s last 45 minutes and I think he was really good. My favourite track from him was his mashup of Heart Is King vs. Losing My Religion, even though I really don’t like the original of Heart is King (the vocals make it that much better, yes).
I don’t remember if Gareth played his new collaboration with Ben Gold at Telus Theater (or Circus), but one thing I know is that it’s awesome and that I have a 128kbps version for you guys! Make sure you buy it on September 5th when it gets released; I’ve set an alarm on my phone to make sure I don’t forget. I’m not kidding. I really like the mix of Gareth’s “way of doing songs” with Ben Gold’s synths and personal touch. Hear the awesomeness for yourself:
Let’s change of music genre a little (a lot) and talk about Moombahton/Moombahcore. This genre is a mix of reggaeton and dubstep/weird car engine noises. I thought it would be horrible at first, but after giving it a listen, I must admit that it’s really good and innovative. Here is a song (harder moombahcore than usual) and a mix from Diplo that’s really great and that is not 100% moombahcore, but it’s really worth listening too.
That is all for now! Don’t forget to buy your tickets for Michael Woods, Mat Zo and Jochen Miller that are going to play at Beachclub on the 13th and Jochen Miller and Heatbeat at Circus Afterhours (right after Beachclub).
POST BY JUSTIN (He wasn't able to post it from his account for some reason).
My couple of months away from EDM blogging saw 3 artists call off their Montreal appearances, free tickets thrown away, multiple trips to BeachClub and an unfortunate bout of food poisoning, ultimately leading to a 4th and 5th cancellation. Although the end of May/beginning of June was supposed to be rife with international DJs, Andy Moor, Axwell and Ferry Corsten were unable to grace us with their talents. Regardless, we had other events to focus on, like the 100th episode of Tytanium Sessions. On the 1-year anniversary of the 105th edition of Gareth Emery’s podcast, Sean Tyas set camp at Circus Afterhours for the 100th episode of his. Even though none of us are big fans of his weekly show, there was no way we were going to pass up a St-Jean-Baptiste celebration with Raneem, Arnej, Simon Patterson and Sean himself.
Raneem got the show started with a set full of IDs. The live Afterhours.FM broadcast only began one hour into his performance, so he naturally kept most of his own productions for the last 2 hours. He played his popular remix of Emvy’s “Strut,” as well as “Out of Nowhere” and his mashup of CIrez D’s “On Off” and Darude’s “Sandstorm,” which is always a crowd pleaser. After re-listening to his set, it has become clear how much Raneem’s grown this year. Nobody at The Hawt had ever heard of him until Gareth Emery’s February show and our respect for his musical prowess hasn’t stopped gaining since. Here’s the last 2 hours of his set from the night.
Arnej followed our favorite Circus resident with the best 90 minutes of the night. His darker take on Trance was ever so present as he entertained the crowd with tracks by Dakota, Jacob van Hage and a few from Coldharbour Recordings. The highlight of the night came when he played his new 8 Wonders tune, “X.” The song features a somewhat elaborate melody, all the while keeping the bass-heavy dark presence which he holds dear. As if that wasn’t enough, he followed his original with Chris Schweizer’s bootleg mix of “Zombie Nation.” When he turned down the music, only to hear the entire club singing along, it was obvious that he had stolen the show. Here’s “X,” along with his set.
Arnej was followed by the evening’s headliner, Sean Tyas. I’d seen him at Circus before and I recall having had an absolute blast. True to his form, Tyas turned the bass up as high as possible and consequently, no one could quite hear the melody or any other parts of any of the songs he played. I’m not sure what it sounded like in the DJ booth, but we were only able to recognize the tunes we actually knew. Amongst the incomprehension, we were able to make out Funkagenda’s “What The Fuck,” Eric Prydz’s remix of Depeche Mode’s “Personal Jesus” and Tyas’ “Banshee.” Only after listening to the recording afterwards was I able to properly appreciate it. And even then, it wasn’t anything special. All together, it was a somewhat disappointing performance by Tyas, as he was easily overshadowed by the impressive squad he invited to play alongside him. Here’s his set from the night.
Simon Patterson was the next to play. He nearly employed the same tactic as Tyas, but cleverly turned down the bass ever so slightly. His set was characterized by unpredictable drops, lengthy breakdowns and lots of his own tracks. I was disappointed to see him neglect his label’s latest release, Nick Callaghan and Will Atkinson’s 2011 remix of his classic, “F16.” In fact, he played Night Vision’s only other 2 releases in Des McMahon’s remix of Wayde Rafnel and Dave Correa’s “Derailed” and Patterson’s own “Latika.” He ended his solo time with “For The Most Part,” his collaboration with Sean Tyas which fit nicely in what was to come. Here’s his entire set from Circus.
In the final moments of the Afterhours.FM live braodcast, Patterson and Tyas played back to back, as in one song after the other. This is when they played their more recognizable tracks, like Dogzilla’s “Without Me” and Tyas’ remixes of Tiësto’s “Suburban Train” and Gareth Emery’s “Sanctuary." Here’s their back to back set.
The holiday weekend continued on Sunday at BeachClub. Pointe-Calumet hosted Sander van Doorn and hundreds of Montrealers eager for a taste of the amazement he displayed at Bal en Blanc. Playground had built a special stage for Armin during his recent visit, but for some reason, Sander was not given the same luxury. Albeit a little crowded, the dancefloor was nonetheless spacious and easily encompassed the horde of day ravers. Here’s what the scene looked like from the DJ booth:
As you can imagine, the area was laden with more than a few over-makeuped, silicone engineered “hotties” grinding their shirtless He-Men and the HGH/steroid abuse problems that came with them, shades of La Folie. I can only speak for myself, but while I’m not a fan of the fake tit, I don’t mind having a few graze my body while I dance. I might be split on the whole Guido culture, but I’m definitely not on Sander van Doorn.
The Dutch producer settled in just as we arrived and opened with the obvious track of summer 2011, Alesso’s remix of “Pressure.” The next hours were spent bobbing and weaving in between genres, going from House to Trance, Electro to the rare Techno track and so on. Sander took the opportunity to drop many tracks from the newest in his Dusk Till Doorn compilation series, which contains lots of new material from Spinnin’s sub-labels. From Wall Recordings, he played Afrojack’s “Doing It RIght” and “Prutataaa,” a collaboration with DJ R3hab, Erick Strong’s “Italian” from Reset Records and Ummet Ozcan’s “Transcend” from Liquid Recordings. However good “Transcend” may be, it was greatly overshadowed by his latest dubbed “Reboot.” The tune reveals a different, more tech-trance side to Ozcan, a variety he’d been lacking for a long time. It’s on the Dusk Till Doorn compilation, but will get a proper release on the 1st of August.
Ummet Ozcan – Reboot (Original Mix)
Released on August 1st on Doorn Records
Since he was so brilliant at Bal en Blanc, his set at BeachClub may have been slightly disappointing to some, considering he also chose to play a variety of genres instead of sticking to the strict Trance makeup his performances used to employ. He ended his show with Eric Prydz’s fantastic remix of Depeche Mode’s “Personal Jesus,” a tune made for live performances currently being played out by loads of DJs, the original mix of “Daddyrock,” even though the Arty remix had just been released, and Sander’s remix of The Killers’ “Spaceman.” He also managed to squeak in his new tune, “Timezone,” which features the vocals of Frederick, but it lacks the power and energy needed for a song to be played live. Regardless, although Sander’s performance paled in comparison to the white party’s, it was a memorable one that displayed his love for all genres of EDM and his willingness to open the minds of the numerous House enthusiasts.
Raneem was on closing duties and since we had missed most of his opening set at Circus on Thursday, we decided to stick around to check out our favorite resident DJ. There’s a few things we learned: first off, looks like Raneem shaves his pits. Just sayin’. Second, Raneem is as popular, maybe even more so, than Sander van Doorn is in Montreal. If you’re a member of the Montreal Trance Scene group on Facebook, you know exactly what I’m talking about. There was a ridiculous amount of praise for him with lots of people saying that he had ousted the Dutchman. Thirdly, his new track, which he happened to premier at the event, is absolutely genius. It’s called “Free Fall,” its just been signed to Leon Bolier’s Streamlined and it might be even better than “Out Of Nowhere.” Here’s a video of Raneem at BeachClub mixing Mark Sherry’s “Phantasmic” into his own “Free Fall.”
So it seems as though Ferry Corsten at La Folie is cancelled, but we do still have Sean Tyas at Circus on Thursday and Sander van Doorn at Beach Club on Sunday to look forward to. I must say I’m disappointed in La Folie since they already cancelled Axwell earlier this month and now Ferry isn’t looking good.
There has been a ton of great releases in the past months and the one that stands out is without a doubt Kiss From the Past by Allure (a.k.a. Tiësto). Upon seeing the album title, I was hoping for some old school Tiësto from the days of Elements of Life but I was pleasantly surprised by the quality of this album. One of my favourite tracks is Show Me The Way that features the vocals of JES but I must also recommend the track On the Wire in which he rekindles with vocalist Christian Burns.
Show Me The Way (feat. JES) - Allure
This next song also has a great vocalist in Susana (probably one of the best all time where it comes to trance in my opinion) and Alexander Popov really delivers on the remix. I heard it first on Myon & Shane54’s podcast and fell in love with it almost immediately. For some reason, this song got me wondering if there were any trance songs with more than one vocalist. Imagine how epic a collaboration between Justine Suissa and Susana could be! If you have any good ones, please share them in the comments below, I’m a complete sucker for some vocal trance (or house, whatever you’ve got).
Fall in Deep (feat. Julian Vincent) [Alexander Popov Remix] - Susana
Alesso has really exploded onto the scene this summer and at 18 years old you can really expect him to keep on getting better. His remix of Nadia Ali has been dominating the charts and is my favourite house track of the summer so far. He does go a bit overboard with the chopping sound but I don’t mind it that much.
Pressure (Alesso Remix) – Nadia Ali, Starkillers & Alex Kenji
I’m usually not that big of a fan of the dubstep songs Gareth Emery plays to end his podcast but last week’s was very decent and here’s a great remix of it that holds its own alongside the original.
Louder (feat. Sian Evans) [Drumsound & Bassline Smith Remix] – Dj Fresh
This next track cannot be released fast enough, although bootlegs often don’t get that privilege. It played on TATW a few episodes back and its simplicity struck me. Hopefully not another brilliant track that never sees the light of day.
On The Move (Bart Claessen Bootleg) - Barthezz
If you like mashups, chances are you’ll like this next track. Heatbeat (who will be playing at Circus in August alongside Jochen Miller) samples no less then 7 tracks for this monster bootleg. Check out the description of the video for the listing.
So, in light of Gareth Emery’s massive upcoming Northern Lights Concert at Theatre Telus, here is my favourite remix of Into the Light by none other than remixer extraordinaire Alex M.O.R.P.H.
And finally, probably one of the tunes of the summer. It has been remixed by a so many artists so far from Soundprank to born again duo Gabriel & Dresden (Josh Gabriel is actually part of Andain). However, none of them seem to come close to Myon & Shane54’s Summer of Love mix. While I’m on the subject, I would like to recommend their podcasts to you guys. It’s a weekly, one hour episode that features a lot of exclusives including many of their signature mashups that you will not find anywhere else.
… and Gareth Emery is the world’s best Dj, these are just facts of life. I could theoretically write an essay explaining and proving these statements to be true but instead here’s a picture a crazy good setlist. (For some dubstep don’t forget to check out Fred’s Post.)
(okay, the picture does not do here extreme live hotness any justice but there are seriously no pictures of her almost, its a tyranny)
This should sum up his set at Black and Blue pretty well. This is super unofficial though, its just out of memory and I did my best to get them all in order, I might also be missing a few since his set was 3 hours long and I’m deprived of sleep at the moment. Most songs have already been posted so if you look back in older posts you’ll probably find them.
So like I mentioned, I happened to go to Black and Blue at Palais des Congrès last night and it was insane. It was the first time that I went to a rave alone, but it was chill. Notable Djs were Marco V, tyDi, Ali and Fila and obviously Gareth Emery. Vocalists Emma Hewitt (terribly gorgeous) and Audrey Gallagher (looks like a house mom) made guests appearances. The set up was ok but nothing compared to Bal en Blanc. Like usual, some very odd people, highlight is no doubt a girl who had the same haircut as Rusko. Like almost at all his shows Gareth had to fight through technical difficulties when the speakers on one side of the room just stopped working but he’s a trooper and he powered through it. One inconvenience is that I had to leave relatively early so i only caught a glimpse of Ali & Fila.
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